I love Sesame Street for a lot of reasons, but I think what might have triggered my initial infatuation was its song parodies. As has been previously documented, I was a super weird kid*, and I distinctly remember watching Patti LaBelle sing "How I Miss My X" and feeling delighted - not just because it was clever, but because I felt like I was getting the adults' joke. It was a secret club, and by virtue of being a nerd, I had found my way in.
I was thinking about this a few weeks ago as I finished reading the Hunger Games trilogy (yes, I just read them, yes, I am sorry I didn't listen to everyone who told me to read them four years ago). Around the same time, I came across a link for the Sesame Workshop version of book 2, "The Hungry Games: Catching Fur." First of all: awesome. Second of all: the very existence of this video inadvertently highlights one of the most overlooked and (I think) one of the most important aspects of the books.
Obviously, the Hunger Games, as an event, are a huge viewing event for the members of the Capital. Something Katniss mentions a few times, however, is that the Games really aren't for the elites; they're there to remind the Districts of their powerlessness. The whole shindig is ostensibly for one audience, but, under its surface, has a completely different purpose.
This is a level of media analysis that I think is often missing from the coverage of so-called viral videos and other marketing tactics. Sesame Street's target audience (3-5 YO) probably doesn't care much about the cleverness of the takeoff, just as they don't really care about the borderline-Dada parody "Homelamb." (At least I hope they don't, because I'm pretty sure Homeland is not appropriate for children.) Sesame Workshop is a nonprofit that relies on the support of Viewers Like You. The whole point is to remain present and worthwhile in the minds of supporters, so that it ultimately has the resources to provide the educational programming that is targeted at children. Similarly, the amazing PBS remixes that came out last year are clearly focused on people who *used* to watch Reading Rainbow, and who would potentially donate to support the network if they felt that it would provide some sort of cachet.
(I'm going to embed one of the Mr. Rogers videos here, because it is required viewing. Be prepared to choke up a little bit.)
In my first gig out of grad school I was doing ICT consulting for governance projects, and I did a little bit of side reading on semiotics and the art of signaling. The intersection between these areas of study and international development seems to me to (also) be important and overlooked - don't we need to know what people want to say about themselves before we offer them something that allows them to speak, literally as well as metaphorically? Side note: if you have any recommended readings here, I'd love to hear about them.
At any rate, this is one of the many things that Suzanne Collins got right in her book, and it's one of the many approaches that Sesame Workshop has gotten right in their work. I'll be looking for more examples of the interaction between mission-driven work and semiotics (MAN, that sounds dry, but it's not). If you come across any, please let me know.
*I really wanted to find a clip from the 30 Rock episode with Carrie Fisher, where a preteen Liz Lemon watches Laugh-In (or its surrogate), looks at the camera, and says, "It's funny because it's true." I don't know if I've ever seen a more accurate representation of my childhood on television.